In the post, “Bringingit Together,” I talked about the process of putting the book into order.
Last week, I opened the manuscript and took a second look at how one poem
flowed into another. Laid out on my living room floor, I went through the whole
manuscript, line by line, and on a pad of paper, wrote out what part each poem
plays in the larger storyline. Going through the book like this gave me a
chance to appreciate and refine the curves and turns along the way.
Last week, I opened the manuscript and took a second look at how one poem
flowed into another. Laid out on my living room floor, I went through the whole
manuscript, line by line, and on a pad of paper, wrote out what part each poem
plays in the larger storyline. Going through the book like this gave me a
chance to appreciate and refine the curves and turns along the way.
At times I was
amazed at how the placement of a poem influenced its meaning and gave it
greater depth. At others, I found holes where the storyline left off and where
the book needs new material to fill the gaps. This is actually a relief to me
for I know I’m not done writing what I have percolating inside quite yet. I
know there’s more.
amazed at how the placement of a poem influenced its meaning and gave it
greater depth. At others, I found holes where the storyline left off and where
the book needs new material to fill the gaps. This is actually a relief to me
for I know I’m not done writing what I have percolating inside quite yet. I
know there’s more.
Because of this
process, I have a far better grasp of where I am on the timeline of having the
manuscript completed. I can see the larger picture and can thus focus my
writing efforts on what the book really needs instead of a more scattered
approach just to get to a total number of poems in the table of contents. Each
piece now comes under closer scrutiny. Does it work? Is something not here that
should be? Is this message repeated elsewhere? It will be a fun challenge to
answer these questions as I work on writing poems for the open spaces using
whatever inspiration comes my way.
process, I have a far better grasp of where I am on the timeline of having the
manuscript completed. I can see the larger picture and can thus focus my
writing efforts on what the book really needs instead of a more scattered
approach just to get to a total number of poems in the table of contents. Each
piece now comes under closer scrutiny. Does it work? Is something not here that
should be? Is this message repeated elsewhere? It will be a fun challenge to
answer these questions as I work on writing poems for the open spaces using
whatever inspiration comes my way.